to be genre-bending is to be dangerous
‘To be genre bending is to be dangerous’. Today, we hear from Elizabeth Reeder on women and essaying.
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Charlie Rawson is a movement artist-researcher based in Bristol. She holds a BA (Hons) in Fine Art and a BA (Hons) in Geography and International Relations. Working between bodies and space, her practise looks atContinue reading
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A female king
The woman who would be Pharaoh. Stephanie Aulsebrook introduces one of the most determined women in the history of ancient Egypt.
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Norns, Games and Aesthetics of Emergence
What do Norse myth, Macbeth’s witches, visual art, digital games and gender roles have in common? Today’s post from Tanya Krzywinska explores the links.
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Bi Visibility Day was last week. Today, we feature a reflection and poem from Siris Gallinat.
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when I got my first period…
Through autobiographical reflection, a provocative image and narratives of struggle in Ireland, Catherine Harper explores issues around women’s reproductive autonomy from puberty onwards.
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Annee Lawrence explores the life and writing of R. A. Kartini who left a powerful feminist, intellectual and nationalist legacy in Indonesia.
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‘A dangerous woman is one who whispers in the ears of others, blowing the wind of change…’ Read Clare Archibald’s creative take on the Project question.
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A ‘bad and dangerous’ woman?
Today’s Scottish PEN post is Jenni Calder’s wonderful account of writer Naomi Mitchison, who self-identified as ‘a witch, a priestess, a shape-shifter’.
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