Home & Family
Lilah Grace Canevaro examines how women in Homeric epic used objects and technology as a dangerous negotiation of agency within the gender constraints of their time.
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Columnist Mireya coaches 1950s Mexican immigrant women on dating, working and belonging
Soledad Quartucci takes us back to the southwest U.S. of the 1950s, when advice columnist Mireya was both a lifeline to first generation Mexican Americans and a danger to traditional values.
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Elisabet Ney’s final sculpture
With her short story ‘Lady Macbeth’, Carly Brown transports us to the final years of 19th century feminist sculptor Elisabet Ney.
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The woman who fought for – and won – rights for married women in England
Francine Ryan demonstrates how Caroline Norton, a Victorian-era woman who ‘never pretended to the wild and ridiculous doctrine of equality’ campaigned for married women’s rights to child custody and property.
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Reflecting on a career and life in legal scholarship
Former head of the University of Bristol Law School, Celia Wells examines how family and social histories define and shape professional choices and careers.
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A manifesto
‘To others, I am the dangerous woman. Not because I am armed with anything more deadly than a paring knife or a wooden spoon…’ Writer Stella Birrell responds to the central question of the Dangerous Women Project.
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Pioneering Nigerian administrator, academic and author
Co-written by Flora’s eldest daughter and niece, today’s post considers the life and accomplishments of this remarkable Nigerian woman.
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‘Woman enough to wear the color of blood and fire without fear and without trepidation.’ Today we feature prose from award-winning author, performance poet and educator Jasminne Mendez.
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What does it mean to be a truly dangerous woman, in this dangerous world?
‘A woman becomes dangerous when she threatens the status quo… when she points out what is hiding in plain sight.’ Writer and broadcaster Bidisha reflects on the central question of the Dangerous Women Project: What does it mean to be a dangerous woman?
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